2/29/12

Figuring things out


I've said it before... At the very core, I'm an illustrator. For some reason I feel illustrators, who even though sometimes work within very strict parameters, are capable of portraying the way they look at the world in a more direct, sensitive and poignant manner. In my head (lets not forget that I'm in no way stating absolute truths) illustrations are about the immediacy of how images are digested. I can tell in a split second if I'm attracted to an image or not.

Whenever I'm working on something that has to do with gallery clients, it's clear that the painting has a very specific commercial objective. I have to work within the visual "rules" that I've created for myself that have, in turn, generated a market. When people are interested in my work, they expect it to look a certain way, to feel a certain way, to be consistent with other works that they felt were exemplary of what I can do. And to be honest, I'm fine working within those expectations, but sometimes, I feel I have to indulge on something I revel in.

Caprice.

And there's nothing that satisfies me more than putting the illustrator's hat on, and delve into acts solely dictated by whims. See, when I paint, I'm engaged in this serious act  where I question everything I do, where reason tries to dominate my decisions and I'm taken to a place where I usually learn a ton of things about myself, but where the painting process feels sluggishly laborious.

When I think about illustrating, I just paint and react to what I paint. It's quick paced, intense, and most importantly, fun. I looooovvveeee when painting is fun. It can be such a drag at times, that when you actually enjoy what you're doing, painting seems like the best thing on earth.

So, to make a long and somewhat existential story short, I've decided to let the world of illustration slowly creep in and infect my paintings.

These two are in different stages. The one with the chair, which is titled Rapunzel is done, although I have to put a matte varnish so it doesn't glare ( I HATE glare), and the one with my dad as a Frazetta tiger is finding its way...  Hope you guys like 'em.

 

7 comments:

David Bernal said...

Love em!! En especial la de papa Uribe. Porque odia el glare?

Daniel Cruit said...

Nicolas, I'm really looking forward to how this turns out. I know that you went through SVA's illustration program, but I'm only now seeing that kind of side from you. Great stuff.

Albert Ramos said...

impresionante, como siempre, Sr. Uribe.

Tengo una pregunta para usted, que marca de barniz mate utiliza?

Muchas gracias de antemano por su respuesta.

Cordialmente,

Albert Ramos

Nicolás Uribe said...

Albert, yo hago mi barniz mate... es super facil. Derrita cera de abejas y le echa trementina y barniz damar. Cambie las proporciones de cera-trementina-barniz para distintos resultados. Si le puedo sugerir uno para comenzar, haga una parte de cera, dos de trementina y dos de damar. Si quiere que sea más mate, solo use más cera.

Albert Ramos said...

Muchas gracias!

Voy a comprar los materiales y ya le comentare como me fue la experiencia.

Un cordial saludo,

Albert Ramos

jac said...

encuentro su blog tremendo y sus pinturas geniales, me mostro su arte andres alarcon otro gran artista un saludo.

Fernando Forero said...

Me gusta mucho tu trabajo, las capas, las composiciones, los detalles, la expresividad, el color, la intimidad.... hay muchas cosas buenas que valorar....

Un cordial saludo con sincera admiración.