I truly feel that this painting is helping me get on the "right" track... at least MY right track. I've always loved the idea that bigger paintings should look like blown up sketches, and even though my work looks nothing like what I envision (that is our curse after all), that's the path I want to follow. I think that this painting in particular is full of little moments that are just what the painting itself needed. Now, don't get me wrong, I don't want to sound presumptuous... I'm not sure if it's my best painting (who the hell am i to say what, if any, is my best effort), and I'm clearly not stating that it's a flawless image... I'm just saying that it's one of those images that I'm grateful for because I needed it. I just had to paint it and solve it in this particular manner because it meant that I was making a conscious decision to follow something. That "something" is probably different for everyone but in my case, it meant not touching things that I loved, even though every ounce in my body begged me to keep painting on top.
I've also been working on a bunch of portraits, together with some other bigger paintings. Here´s a pic of a painting that is currently more resolved but I have this older shot at the moment. I had done a previous Tim Burton one, and this one is Tim Burton revisited. Stripes = Tim Burton... that's how advanced my brain is... I started painting this after I bought (always buy, don't download or copy artist videos) the Michael Klein video. I wanted to see how much I could work in the same manner, without sacrificing my ways, and I think he paints beautifully, and I'm very glad he does because I can't for the life of me paint that way. Wonderful video, get it. I'm always eager to see how other people approach painting, but it clearle wasn't for me...
So after a while I said fuck it, and I couldn't stick to the drawing and I just had to move paint around and mess everything up.
Anyways, here's part of the painting, bad shot, but it gives you guys an idea...
That's it for now... later!